Transcriptions  

Op. 3 (1945)
Trois chorals de Jean-Sébastien Bach
Transcription for trumpet and organ or piano

Referenced in the Multi-media library of our Association : score

- Unpublished
- Handwritten score available in the collection managed by the Association

Op. 4 (1945)
Quatre chorals de Jean-Sébastien Bach
Transcription for trumpet and piano

Referenced in the Multi-media library of our Association : score

- Unpublished
- Handwritten score available in the collection managed by the Association

Op. 37 (1947)
Ouverture du ballet d'Alcidiane et Polexandre
Transcription and realisation after Jean-Baptiste Lulli

Referenced in the Multi-media library of our Association : score

- Unpublished
- Handwritten score available in the collection managed by the Association

Op. 81 (1955)
Le Temple de Gloire de Jean-Philippe Rameau
Ouverture
Transcription and orchestral realisation

Tablature : 1 small flute, 2 large flutes, 2 oboes, 2 bassoons, 2 (4 horns ad libitum), 3 trumpets, 3 trombones, timpani, string quintet.

Referenced in the Multi-media library of our Association : score

- Unpublished
- Handwritten score available in the collection managed by the Association

Op. 90 (1955)
Les quatre saisons
Music by André Le Gentile
Lyrics by Jean Rebier
Harmonisation and realisation for tenor solo and choir with 4 men voices by André Amellér

Handwritten score dated February 6^th, 1955.

Referenced in the Multi-media library of our Association : score

- Unpublished
- Handwritten score available in the collection managed by the Association

Op. 383 (1958)
A la claire fontaine
for choir with 3 equal voices
Transcription of a traditionnal canadian song

Score signed and dated : 26 sept 1958

Referenced in the Multi-media library of our Association : score

- Unpublished
- Handwritten score available in the collection managed by the Association

Op. 384 (1958)
Castor et Pollux
Choir for 4 voices
Transcription after Jean-Philippe Rameau

Score signed and dated : October 17th, 1958

Referenced in the Multi-media library of our Association : score

- Unpublished
- Handwritten score available in the collection managed by the Association

Op. 398 (1958)
Déploration
Transcription after Josquin Lebloitte, dit Josquin des Prés (or des Prez) (around 1450-1521).
"Déploration" composed for the death of Ockeghem in 1497, Nymphes des bois /Requiem aeternam, is based on a poem by Jean Molinet.

Transcription by André Amellér

Referenced in the Multi-media library of our Association : score

- Unpublished
- Handwritten score available in the collection managed by the Association

Op. 409 (1958)
De profundis
for 4 voices choir
Transcription after Gluck (1714-1787).

Transcription by André Amellér

Referenced in the Multi-media library of our Association : score

- Unpublished
- Handwritten score available in the collection managed by the Association

Op. 129 (1959)
Souffrez les amours
Choir for 3 equal voices
Transcription after Jean-Philippe Rameau

Referenced in the Multi-media library of our Association : score

- Unpublished
- Handwritten score available in the collection managed by the Association

Op. 419 (1961-1962)
Le Malade Imaginaire
Theater music for a play by Molière
afters Marc Antoine Charpentier (1643-1704)

Transcription by André Amellér

Referenced in the Multi-media library of our Association : score

- Unpublished
- Handwritten score available in the collection managed by the Association

Op. 139 (1960)
Platée
Chantons, dansons.
for 2 equal voices
after Jean-Philippe Rameau

Transcription by André Amellér

Referenced in the Multi-media library of our Association : score

- Unpublished
- Handwritten score available in the collection managed by the Association

Op. 144 (1962)
Air de chasse
for 2 equal voices
after Jean-Philippe Rameau

Transcription by André Amellér

First performance :

• Festival de Chant choral, Dijon

Referenced in the Multi-media library of our Association : score

- Unpublished
- Handwritten score available in the collection managed by the Association

Op. 147 (1963)
Zoroastre
for 2 equal voices
after Jean-Philippe Rameau

Transcription by André Amellér

Handwritten score dated : September 20^th, 1962

Referenced in the Multi-media library of our Association : score

- Unpublished
- Handwritten score available in the collection managed by the Association

Op. 154 (1963)
Concert au Parc de Fontaine Française d'après Jean-Philippe Rameau
for flute and strings
Duration : 12 mn
First performance :

• Festival du Marais, Paris, June 21st, 1963,
  Orchestre Antiqua Musicae

Referenced in the Multi-media library of our Association : score

- Unpublished
- Handwritten score available in the collection managed by the Association

Op. 155 (1963)
La guirlande de Vougeot
Realisation and transcription of the ballet-opera after Jean-Philippe Rameau

Op. 399 (1964)
Adagio pour contrebasse et quatuor à cordes
Adagio for double bass and string quartet
Transcription after Giacobbe Basevi, known as Giacobbe Cervetto (1680 – 14 January 1783).

Transcription by André Amellér
Score dated : January 1964

Referenced in the Multi-media library of our Association : partition

- Unpublished
- Handwritten score available in the collection managed by the Association

Op. 401 (1964)
Sillery ne vit plus... (Air à boire)
for baryton, bass, 2 oboes, bassoon and strings

Transcription after René Drouard du Bousset (Septembre 11th, 1703 – May 19th, 1760).
See also : Air à boire pour soprano, alto et basse (René Drouard du Bousset)

Transcription by André Amellér

Referenced in the Multi-media library of our Association : score

- Unpublished
- Handwritten score available in the collection managed by the Association

Op. 402 (1964)
Que Bacchus est charmant... (Air à boire)
for baryton, bass, 2 oboes, bassoon and strings

Transcription after Jean Baptiste Cappus (Dijon, 6 October 1689 – 10 March 1751).
See also : Air à boire (Jean Baptiste Cappus)

Transcription, realisation and orchestration by André Amellér

Referenced in the Multi-media library of our Association : score

- Unpublished
- Handwritten score available in the collection managed by the Association

Op. 405 (1964)
Pavane
Realisation for 4 equal voices
Transcription after Jean Tabourot (1520-1595)

Transcription by André Amellér

First performance :
Festival de chant choral - Ecoles de Dijon
1965

Referenced in the Multi-media library of our Association : score

- Unpublished
- Handwritten score available in the collection managed by the Association

Op. 406 (1964)
Hippolyte et Aricie
Choeur à 3 voix
after Jean-Philippe Rameau (1683-1764)
Transcription by André Amellér

See also : Op. 404 - Choeur des Nymphes after "Hippolyte et Aricie" by Jean-Philippe Rameau.

Referenced in the Multi-media library of our Association : score

- Unpublished
- Handwritten score available in the collection managed by the Association

Op. 410 (1964)
La Gloire et la Fortune (Chanson à boire)
for baryton, bass, 2 oboes, bassoon and strings
after Jean-Philippe Rameau (1683-1764)

Transcription by André Amellér

See also : La Gloire et la Fortune, Air de matelots (Jean Philippe Rameau)

Referenced in the Multi-media library of our Association : score

- Unpublished
- Handwritten score available in the collection managed by the Association

Op. 411 (1964)
Chanson à boire
Lucas pour se gausser de nous...
for baryton, bass, 2 oboes, bassoon and strings
after Jean-Philippe Rameau (1683-1764)
Text by Alexis Piron (1689-1773)

Transcription by André Amellér

See also : Air à boire (Jean Philippe Rameau)

Referenced in the Multi-media library of our Association : score, sketch

- Unpublished
- Handwritten score available in the collection managed by the Association

Op. 403 (1965)
Ce mois de mai
Realisation for equal 3 voices
Transcription after Clément Janequin (around 1485-1558)

Transcription by André Amellér

First performance :
Festival de chant choral - Ecoles de Dijon
1966

Referenced in the Multi-media library of our Association : score, audio

- Unpublished
- Handwritten score available in the collection managed by the Association

digital recording available

Op. 404 (1965)
Choeur des Nymphes
after "Hippolyte et Aricie" by Jean-Philippe Rameau (1683-1764)
Transcription by André Amellér

First performance :
Festival de chant choral - Ecoles de Dijon
1966

See also : Op. 406 - Hippolyte et Aricie, Choeur à 3 voix after Jean-Philippe Rameau.

Referenced in the Multi-media library of our Association : score, audio

- Unpublished
- Handwritten score available in the collection managed by the Association

digital recording available

Op. 400 (1966)
Zoroastre (Douce paix)
pour 2 voix égales
after Jean-Philippe Rameau (1683-1764)
Transcription by André Amellér

See also "Op. 147 - Zoroastre (Air à deux)"

Referenced in the Multi-media library of our Association : score

- Unpublished
- Handwritten score available in the collection managed by the Association

Op. 169 ter (1968)
Clair flambeau
by Jean-Philippe Rameau (1683-1764)
« Scène des Incas », extrait de l’opéra-ballet « Les Indes Galantes »
Adaptation to 4 mixed voices by André Amellér
Closing ceremony of the VIIIth Congress of ISME ; Dijon ; July 8th, 1968

Referenced in the Multi-media library of our Association : score

Complimentary Editions Alphonse Leduc

Op. 407 (1969)
Air à boire
Realisation, orchestration and transcription by André Amellér
(for tenor, bassoon and 5 voices choir)
d'après Jean Baptiste (Drouart) de Bousset (1662-1725)
From "2ème Recueil d'Airs nouveaux sérieux et à boire"
dedicaced to Madame la Duchesse de Bourgogne

Referenced in the Multi-media library of our Association : score

- Unpublished
- Handwritten score available in the collection managed by the Association

Op. 408 (1969)
Air à boire
Realisation and transcription by André Amellér
(for soprano, tenor and barytone)
d'après Jean Baptiste (Drouart) de Bousset (1662-1725)
From "3ème Recueil d'Airs nouveaux sérieux et à boire"
dedicaced to Madame la Duchesse de Bourgogne

Referenced in the Multi-media library of our Association : score

- Unpublished
- Handwritten score available in the collection managed by the Association

Op. 392 (1969)
Autre 2^ème leçon du dernier jour
for tenors, basses, women choir, basso continuo and harpsichord
Transcription, orchestration and realization by André Amellér.

Transcription after M. Joseph Michel, Chanoine and Maître de Musique de la Sainte Chapelle in Dijon
Recueil de 20 leçons de Jérémie
for one, two and three voices, with and without symphony, including a Miserere.
1735

Referenced in the Multi-media library of our Association : score

- Unpublished
- Handwritten score available in the collection managed by the Association

Op. 393 (1969)
Zaïde Reine de Grenade - Ballet héroïque
Ouverture
Realization, orchestration and transcription by André Amellér.

Transcription after M. Pancrace Royer (1703-1755)
Ordinaire de la Musique du Roy et Maître de Musique des Enfants de France
1739

Referenced in the Multi-media library of our Association : score

- Unpublished
- Handwritten score available in the collection managed by the Association

Op. 394 (1969)
Les 3 Déesses Rivales (ou Le double jugement de Pâris)
Prélude et Romance de Pâris
For tenor and orchestra
Realisation, orchestration and transcription by André Amellér.

Transcription after Catherine-Joseph-Ferdinand Girard de Propiac (1760?–1823),
art historian and composer.

Op. 394 bis - Romance de Pâris (reduction for tenor and piano)

Referenced in the Multi-media library of our Association : score

- Unpublished
- Handwritten score available in the collection managed by the Association

Op. 395 (1969)
Les 3 Déesses Rivales (ou Le double jugement de Pâris)
Quatuor (Junon, Minerve, Vénus et Pâris)
For voices and orchestra
Realisation, orchestration and transcription by André Amellér.

Transcription after Catherine-Joseph-Ferdinand Girard de Propiac (1760?–1823),
art historian and composer.

Op. 395 bis - Quatuor (reduction for voices and piano)

Referenced in the Multi-media library of our Association : score

- Unpublished
- Handwritten score available in the collection managed by the Association

Op. 396 (1969)
Les 3 Déesses Rivales (ou Le double jugement de Pâris)
Air de Junon
For voices and orchestra
Realisation, orchestration and transcription by André Amellér.

Transcription after Catherine-Joseph-Ferdinand Girard de Propiac (1760?–1823),
art historian and composer.

Referenced in the Multi-media library of our Association : score

- Unpublished
- Handwritten score available in the collection managed by the Association

Op. 192 (1972)
Divertissement de Pyrame et Thisbé
Series of dances after François Francoeur (1698 - 1787)
for 2 flutes, 2 oboes or violins, bassoon or violincello

Realisation and transcription by André Amellér

• Marche
• Entrée
• Gavotte
• Airs pour les Egyptiens
• Sarabande
• Menuet
• Lentement
• Passepied

Duration : 12 mn
Pour junior
First performance :

• Classe d'orchestre du CNR de Dijon

Referenced in the Multi-media library of our Association : score

- Unpublished
- Handwritten score available in the collection managed by the Association

Op. 194
Vere languores
Transcription for 3 trumpets and 2 trombones
after Antonio Lotti (1667-1740)
Choirmaster in Saint-Mark of Venice

Referenced in the Multi-media library of our Association : score

- Unpublished
- Handwritten score available in the collection managed by the Association
- Available for consultation in the Multi-media library of the Music School of Dijon (France)

Op. 382
Quintette
for flute, oboe, B-flat clarinet, horn in F and bassoon

Transcription after a piece by Dimitri Kabalevski

Referenced in the Multi-media library of our Association : score

- Unpublished
- Score available in the Multi-media library of our Association
- Available for consultation in the Multi-media library of the Music School of Dijon (France)

Op. 384 (1959 ?)
Castor et Pollux
Choir for 4 voices
Transcription after Jean-Philippe Rameau

Referenced in the Multi-media library of our Association : score

- Unpublished
- Handwritten score available in the collection managed by the Association

Op. 385 (1964)
Zéphirs, comblez notre attente
for 2 equal voices
after Jean-Philippe Rameau
Transcription by André Amellér

First performance :
     Festival chant choral 1965 (Dijon ?)

Referenced in the Multi-media library of our Association : score

- Unpublished
- Handwritten score available in the collection managed by the Association

Op. 412
Quatre chorals de Jean-Sébastien Bach
Transcription for violins, alti, celli and basses
after Johann Sebastian Bach (1683-1764)
Transcription by André Amellér

• Nun komm, der Heiden Heiland
• O Lamm Gottes, unschuldig
• An Wasserflüssen Babylon
• Aus tiefer Not shrei' ich zu dir

Referenced in the Multi-media library of our Association : score

- Unpublished
- Handwritten score available in the collection managed by the Association

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