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Vocal works
Op. 2 (1942)
Laetentur caeli, et exsultet terra ante faciem Domini quoniam venit.
"Que les cieux se réjouissent, et que la terre exulte devant la face du Seigneur puisqu'il vient."
for men choir
Handwritten score dated : Thursday, January 22nd, 1942
Referenced in the Multi-media library of our Association : score
- Unpublished
- Handwritten score available in the collection managed by the Association
Op. 2 quater et quinquies (1943)
Ophélia
on a poem by Arthur Rimbaud
Op. 2 quater - Ophélia for 4 voices choir with orchestra
Op. 2 quinquies - Ophélia reduction for 4 voices choir and piano
Written in 1943 for the Prix de Rome.
Conductor score signed and dated: May 5th, 1943
Reduced score signed and dates : May 2nd, 1943
Version for choir and orchestra:
Op. 2 quater - Ophélia
Referenced in the Multi-media library of our Association: score
- Unpublished
- Handwritten score available in the collection managed by the Association
Op. 12 bis (1944)
Evocations (Psaume 136)
baryton, choir, organ and orchestra (strings + 2.2., tenor oboe,
2.2.4.3.3.1., tymbals, cymbale, harp)
Reduced version for baryton, choir, organ and piano
First performance :
- Société des Concerts du Conservatoire, Dijon
Performed by :
- Ensemble Joseph Samson,
- André Fleury (orgue)
- Conductors : André Amellér et J. F. Samson
Version for baryton, choir, organ and orchestra : Op. 12 - Evocations
Referenced in the Multi-media library of our Association : score
- Unpublished
- Handwritten score available in the collection managed by the Association
Op. 21 (1944)
Psaume
for 4 voices
Handwritten score dated March 13th, 1944.
Referenced in the Multi-media library of our Association : score
- Unpublished
- Handwritten score available in the collection managed by the Association
Op. 23 (1947)
Je vous salue Marie
- version for 4 female voices, flute, harp, violin, alto, cello
- version for 4 voices a cappela
Referenced in the Multi-media library of our Association : score
- Unpublished
- Handwritten score available in the collection managed by the Association
Op. 50 bis (1957)
La Lance de Fingal
Drama in 1 act and 3 scenes
Text in french by Pélissane after Ossian
(german translation by Professor Gustav Rohrsdorff)
Reduction for piano and voices
Draft of the theater costumes for "La Lance de Fingal". .
Referenced in the Multi-media library of our Association : score, audio
Opera (full version) : Op. 50 - La lance de Fingal
- Unpublished
- Handwritten score available in the collection managed by the Association
Op. 55 bis (1951-1960)
Cyrnos
Opera in 3 acts
Text by Pélissane
Reduction for the piano (for piano and voices) :
- Acte I,
- Acte II,
- Acte III
Referenced in the Multi-media library of our Association : score
Opera (full version) :
- Op. 55 - Cyrnos (in Lyrical works)
Reduction for the piano :
- Op. 55 bis - Cyrnos, reduction for the piano (for piano solo) : Ouverture, Divertissement dansé (Acte I), La Moresca (Acte II)
- Op. 55 bis - Cyrnos, reduction for the piano (in Ballets)
- Unpublished
- Handwritten score available in the collection managed by the Association
Op. 58 (1951)
Cantate "Gloire et Honneur à Jeanne de France"
for soprano, 4 voices choir and organ
Dedication : Mrs Jacqueline Debrie-Ruellan
Referenced in the Multi-media library of our Association : score
- Unpublished
- Handwritten score available in the collection managed by the Association
Op. 90 (1955)
Les quatre saisons
Music by André Le Gentile
Lyrics by Jean Rebier
Harmonisation and realisation for tenor solo and choir with 4 men voices by André Amellér
Handwritten score dated February 6th, 1955.
Referenced in the Multi-media library of our Association : score
- Unpublished
- Handwritten score available in the collection managed by the Association
Op. 91 (1955)
Prélude et chœur du cinquantenaire de la Gaîté
Referenced in the Multi-media library of our Association : score
- Unpublished
- Handwritten score available in the collection managed by the Association
Op. 103 bis (1957)
Monsieur Personne
Reduction for the piano of sung parts
Radio movie by Pierre Rolland
Original music by André Amellér
Radiodiffusion télévision française (RTF)
Paris, 12 mars 1957
Op. 103 - Monsieur Personne, radio music
Referenced in the Multi-media library of our Association : score, audio
- Handwritten score available in the collection managed by the Association (reduction for the piano of sung parts).
 digital recording available
Op. 108 (1957)
Cérémonial d'intronisation des chevaliers du Tastevin
for choir, organ and wind orchestra
- I : Joyeux carillon
- II : Dignus, est intrare
- III : Cercle en cercle
- IV : Hymne à Bacchus (Op. 109)
- V : Vivat, vivat, vivat
See also Op. 109 - Hymne à Bacchus
Referenced in the Multi-media library of our Association : score
- Unpublished
- Handwritten score available in the collection managed by the Association
Op. 109 (1957)
Hymne à Bacchus
Choir for 4 men voices
Entrée et fanfare
First performance :
- Chapître de la Confrérie des Chevaliers du Tastevin, Clos Vougeot
Referenced in the Multi-media library of our Association : score
- Unpublished
- Handwritten score available in the collection managed by the Association
Op. 415 (1958)
Vagabonde
for 4 voices choir and piano
Text in french by J. Poterat
Score signed and dated : Novembre 25th, 1958
Referenced in the Multi-media library of our Association : score
- Unpublished
- Handwritten score available in the collection managed by the Association
Op. 116 bis (1958)
Chemin de croix
for organ and choir
("Prélude, Interlude et Postlude pour un Chemin de Croix", title changed October 21th, 1964)
"Le Chemin de la Croix", text by Henri Ghéon
excerpt from "Mystère de Sainte Hélène et de l'invention de la Croix"
Handwritten score dated : March 12th, 1958
Referenced in the Multi-media library of our Association : score, audio
- Unpublished
- Handwritten score available in the collection managed by the Association
digital recording available
Op. 120 (1959)
Souvenance de l'enfance
for choir with 4 mixed voices
Poem by André Amellér
Dedication : à Monsieur Alex Schoentgen, Président de la Fédération Grand-Ducale des Sociétés Populaires, Luxembourg
Op. 120 - version for choir with 4 mixed voices
Op. 120 bis - version for choir and winds
2 trumpets in C, 2 trombones and 1 tuba
First performance :
Congrès ISME in Tunis Carthage, July 18th, 1972
Chorale Guillaume de Machaut (Charleville-Mezières)
Conductor : J. Barraut
Op. 120 ter - version for one voice and orchestra
Transcription for one voice and orchestra
Flutes, oboe, 2 clarinets, saxophone alto, bassoon, horns, 2 trumpets in C, 2 trombones, tuba, timbales and strings
Referenced in the Multi-media library of our Association : score, audio
Editions Lemoine, Paris
digital recording available
Op. 124 (1958)
Les oiseaux du Vieux Paris
Musical story for orchestra and men choir ad libitum
Duration : 20 mn
Referenced in the Multi-media library of our Association : score
Reduced version for piano.
- Unpublished
- Handwritten score available in the collection managed by the Association
Op. 126 bis (1959)
Au fond des bois
("La Biche", title changed in December 1975)
Op. 126 bis - version for double choir with equal voices and orchestra.
(2 flutes, 2 oboes, 4 B-flat clarinets, 2 E-flat alto saxophones, 2 F horns, 2 C trumpets, strings)
Op. 126 - version for double choir with equal voices.
See also "Op. 361 - La biche" (1984), for harmony orchestra and choir for 4 equal voices (girls and boys).
Referenced in the Multi-media library of our Association : score
- Unpublished
- Handwritten score available in the collection managed by the Association
Op. 128 (1959)
Ah ! que nos pères étaient heureux
Choir with 3 voices and piano accompaniment
Referenced in the Multi-media library of our Association : score
- Unpublished
- Handwritten score available in the collection managed by the Association
Op. 130 (1960)
Ma femme est morte
Choir with 3 voices and piano accompaniment
Handwritten score dated : January 1960
Referenced in the Multi-media library of our Association : score
- Unpublished
- Handwritten score available in the collection managed by the Association
Op. 146 bis (1962)
O jour d'haeui
for flute and voice
Referenced in the Multi-media library of our Association : score
- Unpublished
- Handwritten score available in the collection managed by the Association
Op. 394 bis (1969)
Les 3 Déesses Rivales (ou Le double jugement de Pâris)
Romance de Pâris
Reduction for tenor and piano
Realisation, orchestration and transcription by André Amellér.
Transcription after Catherine-Joseph-Ferdinand Girard de Propiac (1760?–1823),
art historian and composer..
Op. 394 - Les 3 Déesses Rivales (for tenor and orchestra)
Referenced in the Multi-media library of our Association : score
- Unpublished
- Handwritten score available in the collection managed by the Association
Op. 395 bis (1969)
Les 3 Déesses Rivales (ou Le double jugement de Pâris)
Quatuor (Junon, Minerve, Vénus et Pâris)
Reduction for voices and piano
Realisation, orchestration and transcription by André Amellér.
Transcription after Catherine-Joseph-Ferdinand Girard de Propiac (1760?–1823),
art historian and composer..
Op. 395 - Quatuor (for voices and orchestra)
Referenced in the Multi-media library of our Association : score
- Unpublished
- Handwritten score available in the collection managed by the Association
Op. 361 bis (1984)
La biche
for harmony orchestra and choir for 4 equal voices (girls and boys)
Reduced version for the piano and choir for 4 equal voices (girls and boys)
Duration : 6 mn
See also "Au fond des bois" (1959), for double choir.
Op. 361 - La biche for harmony orchestra
Referenced in the Multi-media library of our Association : score
- Unpublished
- Handwritten score available in the collection managed by the Association
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André Amellér, a french composer of the XXth century
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